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Thankfully it’s pretty easy to remove any excessive noise from your guitar takes, and it will make mixing much easier later on. Sometimes while recording you might pick up bits of extra noise that could clutter your mix or arrangements. Step #2: Mute Any Noises That Slipped Into The Recording Silence Noises I find this technique super handy for finding a more organic groove in your rhythmic guitar party without having to really on a static grid. Drag your extracted groove from the groove pool window onto your guitar take and adjust the timing, amount, random, and velocity parameters to taste. Simply right-click the part with the groove you want and select ‘Extract groove’. You can also extract the groove of your rhythmic instruments in Ableton and apply them to your guitar parts. Too much quantizing can make your guitar parts sound very unnatural, and anything that needs heavy tweaking should probably be rerecorded.
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However, these values will vary depending on your take and I encourage you to train your ear to quantize instead of referring to the grid. I generally use the 16ths option and only use about 10-15% quantization. You should have options for timing values (1/4ths,1/8ths,16ths, etc) as well as quantization amount (0-100%). Once all the markers have been inserted, select them all, right-click and then select the quantize option in your dropdown menu. Highlight your guitar part you’d like to edit and insert markers on all the transients (in Ableton the command for this is Ctrl+I). I like to quantize my guitar parts using two very simple methods. Tighter parts will help blend your guitars into the mix before you give them any sonic treatment. Rhythmic guitar parts such as backing chords, riffs, and arpeggios can be quantized so that the overall groove of your mix feels tighter. Step #1: Quantize The Recording’s Timings Quantize Guitar Timings Either method is just fine, and you can apply the steps below regardless of how you choose to record your guitars.
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Some producers/engineers like to mic up their amplifiers to capture a take, while others may choose to plug their guitar straight into an interface to record directly onto their DAW. However, there are some handy tools and tricks that you can implement to bring your guitars to life and make them easier to mix. Not every recorded guitar take can be perfect, and you can waste a lot of time trying to capture parts with pinpoint accuracy. There are changes to the XY Controller, which can be operated in the vertical-only Slider mode, and the XLFO, which can now receive legato MIDI triggering and targeting of the Frequency Offset and Balance parameters for modulation.In today’s article, we’re going to show you a few simple techniques you can use to edit your guitar parts. You can also route band inputs to both envelope sources as triggering signals. There’s also a Transient detection mode in the Envelope Follower to track drums and percussion. Saturn featured almost unlimited combinations of XLFOs, Envelope Generators, Envelope Followers, XY Controllers, and MIDI sources for each preset, and to this Saturn 2 adds curves to the Envelope Generator’s attack, decay, and release stages for a smoother or more aggressive response depending on how they’re used. The Breakdown FX also features down-pitching alongside heavy distortion. There are three transformer styles (from subtle to warm) for when you need to get abrasive, and Foldback and Breakdown FX settings, which are intended to reshape and change sounds beyond recognition. These include subtle settings for tape, tube, and saturation as well as four new British and American amp styles, which model well-known guitar amplifiers. FabFilter has almost doubled the number of distortion and saturation styles from 16 to 28.